Hannah Little

Contributors

Harriet Horobin-Worley

Residency

Zach Deocadiz

Contributors

Stacey Olika

Illustration

Russel Hlongwane

Steering Board

Kate Bagenzo

Contributors

James Sharpe

Illustration

Tony Bhajam

Editorial Team

Erinma Ochu

Steering Board

Oma Keeling

Editorial Team

Chetana Pai

Residency

Taylor Miller

Contributors

Michelle Fuller

Contributors

Jon Dovey

Podcast

Bailey Miller

Contributors

Wendy Lawn

Contributors

Everest Pipkin

Contributors

Jenna Kunze

Contributors

Phoenix Simms

Contributors

niall t.l.

Contributors

Imwen Eke

Steering Board

Beth Suzanna

Illustration

Harry Willmott

Contributors

Anmol Irfan

Contributors

Fran Pope

Contributors

Tobéchukwu Onwukeme and Mark Mushiva

Contributors

Mereida Fajardo

Illustration

Corinne Stuart

Podcast

Jenny Brennan

Podcast

Cassandra Roxburgh

Podcast

Caroline McGlone

Contributors

Matteo Lupetti

Contributors

Mél Hogan

Podcast

Furaha Asani

Former Team

Afi Walker

Illustration

Morgan

Contributors

Martin O'Leary

Editorial Team

lee wilkins

Contributors

Josephine Gyasi

Contributors

Michele Theil

Contributors

Jazz Mickle

Contributors

Rachel Coldicutt

Steering Board

Grace Kress

Contributors

Brian Gibson

Residency

Ralph Hoyte

Podcast

Freya Campbell

Podcast

Jack Lowe

Contributors

Teresa Dillon

Podcast

May Abdalla

Contributors

Padmini Ray Murray

Residency

Nanya Sudhir

Contributors

Jacklin Kwan

Contributors

Chidinma Iwu

Contributors

Parys Gardener

Illustration

Tom Mitchell

Steering Board

Sana Naeem

Illustration

Chanté Joseph

Contributors

Loraine

Contributors

Vivienne Shao

Illustration

Kai Charles

Contributors

Fanny Eaton-Hall

Podcast

File Menu Eater

Contributors

Tope Olufemi

Contributors

Dawn Attride

Contributors

Chloe Meineck

Contributors

Harry Silverlock

Podcast

Tarim

Podcast

Sharlene Gandhi

Podcast

António Baía Reis

Residency

Emily Cook

Contributors

Joseph Wilk

Editorial Team

Oluwatayo Adewole

Contributors

Vincent Baidoo-Lowe

Contributors

Jennifer Lucy Allan

Contributors

Tam Lines

Contributors

Hannah Uguru

Podcast

__frrrrrr

Contributors

Ren Loren Britton

Contributors

Constance Fleuriot

Podcast

Madhuri Karak

Contributors

Simon Moreton

Editorial Team

Alice Quigley

Former Team

Danielle Brathwaite-Shirley

Contributors

Yudi Wu

Residency

Runako Nyauchi

Contributors

Ashanti Anderson

Contributors

Janna Frenzel

Contributors

Tessa Ratuszynska

Podcast

Lucy Haslam

Illustration

Bashirat Oladele

Contributors

v buckenham

Steering Board

Adetokunbo Abiola

Contributors

Christina Constantinou

Contributors

Uma Breakdown & Belladonna Paloma

Residency

Vivian Yeung

Steering Board

Tori Tsui

Contributors

Uma Breakdown

Contributors

Katarzyna Sowinska

Contributors

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Headshot of Padmini, young indian woman smiling into camera with nose ring and red hair

Padmini Ray Murray

  • Bengaluru, India
  • 0 Posts

Issue 2 resident Padmini Ray Murray is the founder of Design Beku, a feminist collective that endeavours to place an ethics of care at the heart of digital and design practice. She founded the first digital humanities masters programme in India at the Srishti Institute of Art, Design and Technology, and was previously a trustee at Wikimedia UK.

As a creative practitioner, Padmini creates new media work which reflects her research and interests, such as Darshan Diversion (with KV Ketan and Joel Johnson), a feminist video game about the Sabarimala temple controversy (2016); Halt The Hate (with Pratyush Raman), an interactive database of crimes against minorities for Amnesty India (2017); Visualising Cybersecurity, a Hewlett-funded project that aims to alter how cybersecurity is depicted and discussed in the media (with the Centre for Internet and Society and Paulanthony George); and a speculative comic on the personal data protection bill, Designing for Democracy (with Paulanthony George).

She was recently an artist in residence for the Serendipity Arts Festival (2020), and is currently working on a digital performance piece funded by the Goethe Institut, an adaptation of Ionesco\\\\\\\\\\\\\\\’s The Leader, which explores the themes of misinformation, the attention economy and fake news.