Lucy Haslam

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Caroline McGlone

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Wendy Lawn

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Harry Silverlock

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Sana Naeem

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Imwen Eke

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Janna Frenzel

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Rachel Coldicutt

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File Menu Eater

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Madhuri Karak

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Tarim

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Ralph Hoyte

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Phoenix Simms

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Katarzyna Sowinska

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Kai Charles

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Tessa Ratuszynska

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Jacklin Kwan

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Taylor Miller

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Bailey Miller

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Tobéchukwu Onwukeme and Mark Mushiva

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Morgan

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Vincent Baidoo-Lowe

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António Baía Reis

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Ashanti Anderson

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Anmol Irfan

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Hannah Uguru

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James Sharpe

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lee wilkins

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Jenny Brennan

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Chetana Pai

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Jon Dovey

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Kate Bagenzo

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Mereida Fajardo

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Danielle Brathwaite-Shirley

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Chidinma Iwu

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Brian Gibson

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Russel Hlongwane

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Mél Hogan

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Fran Pope

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Furaha Asani

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Padmini Ray Murray

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Dawn Attride

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v buckenham

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Jenna Kunze

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May Abdalla

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Simon Moreton

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Runako Nyauchi

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Tony Bhajam

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Martin O'Leary

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Harry Willmott

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Parys Gardener

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Freya Campbell

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Headshot of Padmini, young indian woman smiling into camera with nose ring and red hair

Padmini Ray Murray

  • Bengaluru, India
  • 0 Posts

Issue 2 resident Padmini Ray Murray is the founder of Design Beku, a feminist collective that endeavours to place an ethics of care at the heart of digital and design practice. She founded the first digital humanities masters programme in India at the Srishti Institute of Art, Design and Technology, and was previously a trustee at Wikimedia UK.

As a creative practitioner, Padmini creates new media work which reflects her research and interests, such as Darshan Diversion (with KV Ketan and Joel Johnson), a feminist video game about the Sabarimala temple controversy (2016); Halt The Hate (with Pratyush Raman), an interactive database of crimes against minorities for Amnesty India (2017); Visualising Cybersecurity, a Hewlett-funded project that aims to alter how cybersecurity is depicted and discussed in the media (with the Centre for Internet and Society and Paulanthony George); and a speculative comic on the personal data protection bill, Designing for Democracy (with Paulanthony George).

She was recently an artist in residence for the Serendipity Arts Festival (2020), and is currently working on a digital performance piece funded by the Goethe Institut, an adaptation of Ionesco\\\\\\\\\\\\\\\’s The Leader, which explores the themes of misinformation, the attention economy and fake news.