Simon Moreton

Editorial Team

James Sharpe

Illustration

niall t.l.

Contributors

Afi Walker

Illustration

Tom Mitchell

Steering Board

Kai Charles

Contributors

Christina Constantinou

Contributors

Tori Tsui

Contributors

Bashirat Oladele

Contributors

Danielle Brathwaite-Shirley

Contributors

Uma Breakdown & Belladonna Paloma

Residency

Sharlene Gandhi

Podcast

Loraine

Contributors

Janna Frenzel

Contributors

lee wilkins

Contributors

Beth Suzanna

Illustration

Russel Hlongwane

Steering Board

Lucy Haslam

Illustration

Tam Lines

Contributors

Anmol Irfan

Contributors

Phoenix Simms

Contributors

Harry Willmott

Contributors

Uma Breakdown

Contributors

Tony Bhajam

Editorial Team

Ashanti Anderson

Contributors

Fanny Eaton-Hall

Podcast

Constance Fleuriot

Podcast

Tarim

Podcast

Dawn Attride

Contributors

Hannah Little

Contributors

Caroline McGlone

Contributors

Chidinma Iwu

Contributors

Everest Pipkin

Contributors

Oluwatayo Adewole

Contributors

Jack Lowe

Contributors

Tope Olufemi

Contributors

Katarzyna Sowinska

Contributors

Corinne Stuart

Podcast

Ralph Hoyte

Podcast

Imwen Eke

Steering Board

Mél Hogan

Podcast

Chetana Pai

Residency

Vivian Yeung

Steering Board

Yudi Wu

Residency

Erinma Ochu

Steering Board

Jenny Brennan

Podcast

Teresa Dillon

Podcast

File Menu Eater

Contributors

Sana Naeem

Illustration

Padmini Ray Murray

Residency

Harriet Horobin-Worley

Residency

Martin O'Leary

Editorial Team

Vincent Baidoo-Lowe

Contributors

Brian Gibson

Residency

Ren Loren Britton

Contributors

Michele Theil

Contributors

Madhuri Karak

Contributors

Jacklin Kwan

Contributors

Stacey Olika

Illustration

Vivienne Shao

Illustration

Jazz Mickle

Contributors

Chloe Meineck

Contributors

Emily Cook

Contributors

Fran Pope

Contributors

António Baía Reis

Residency

Adetokunbo Abiola

Contributors

Michelle Fuller

Contributors

Zach Deocadiz

Contributors

Furaha Asani

Former Team

v buckenham

Steering Board

Mereida Fajardo

Illustration

Bailey Miller

Contributors

Runako Nyauchi

Contributors

Morgan

Contributors

May Abdalla

Contributors

Parys Gardener

Illustration

Rachel Coldicutt

Steering Board

Alice Quigley

Former Team

Kate Bagenzo

Contributors

Chanté Joseph

Contributors

Oma Keeling

Editorial Team

Wendy Lawn

Contributors

Jon Dovey

Podcast

Jennifer Lucy Allan

Contributors

Nanya Sudhir

Contributors

Matteo Lupetti

Contributors

Tessa Ratuszynska

Podcast

__frrrrrr

Contributors

Taylor Miller

Contributors

Hannah Uguru

Podcast

Joseph Wilk

Editorial Team

Grace Kress

Contributors

Tobéchukwu Onwukeme and Mark Mushiva

Contributors

Josephine Gyasi

Contributors

Harry Silverlock

Podcast

Cassandra Roxburgh

Podcast

Freya Campbell

Podcast

Jenna Kunze

Contributors

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Headshot of Padmini, young indian woman smiling into camera with nose ring and red hair

Padmini Ray Murray

  • Bengaluru, India
  • 0 Posts

Issue 2 resident Padmini Ray Murray is the founder of Design Beku, a feminist collective that endeavours to place an ethics of care at the heart of digital and design practice. She founded the first digital humanities masters programme in India at the Srishti Institute of Art, Design and Technology, and was previously a trustee at Wikimedia UK.

As a creative practitioner, Padmini creates new media work which reflects her research and interests, such as Darshan Diversion (with KV Ketan and Joel Johnson), a feminist video game about the Sabarimala temple controversy (2016); Halt The Hate (with Pratyush Raman), an interactive database of crimes against minorities for Amnesty India (2017); Visualising Cybersecurity, a Hewlett-funded project that aims to alter how cybersecurity is depicted and discussed in the media (with the Centre for Internet and Society and Paulanthony George); and a speculative comic on the personal data protection bill, Designing for Democracy (with Paulanthony George).

She was recently an artist in residence for the Serendipity Arts Festival (2020), and is currently working on a digital performance piece funded by the Goethe Institut, an adaptation of Ionesco\\\\\\\\\\\\\\\’s The Leader, which explores the themes of misinformation, the attention economy and fake news.